music ethnography books

Ethnography relies on participant observation as its key data collection method. Human interaction, resonance and sharing space are fundamental to these musical practices yet have suddenly been impeded by the drastic social distancing measures required to overcome the global pandemic. Particularly powerful is the way that traditional forms find a new home within the context of hip-hop songs and the ways in which hip-hop has the potential to create for its participants traditional community contexts, what one of the performers, Wire MC, calls the modern corroborree. Recent global movements have shed light on injustices including sexual violence against women (#metoo); police and state violence against black people (Black Lives Matter or #BLM) in America and around the world and including against Indigenous people in Australia; racism; casteism; homophobia; transphobia; the climate catastrophe; the refugee crisis and harsh asylum seeker policies; ableism; the stigmatisation of mental health; child trafficking and abuse; the rise in authoritarian leadership and global inequality. Scholarly Research in Music: Shared and Disciplinary-Specific Practices, Second Edition offers a comprehensive and detailed guide to engaging in research in all disciplines of music.This second edition continues to provide the foundational principles of research for all musicians, including performers, theorists, composers, conductors, music educators, and musicologists. This first section is guest edited by Curran and Radhakrishnan. Issues around the essentialism of music play an important role in defining and mapping these continuities and changes. But of course scenes arent just anchored in places intended in the traditional sense: there are internet-based scenes, and also scenes that travel like bluegrass communities, or like transplant scenes. Did you know that with a free Taylor & Francis Online account you can gain access to the following benefits? Music, in this sense, is used as a means to an end whereas traditionally, as a form of art, music ought to be made and consumed for its own sake. Ethnographic researchers of music often and necessarily come from a wide variety of interdisciplinary backgrounds, which, from differing angles, examine the ways in which musical practices create and define many aspects of peoples social worlds. By being part of the social worlds on which ethnographic research is based, it is imperative that researchers are allies in the struggles against structural racism in our institutions and state violence towards black people and other minorities in our societies. And as much as music is a construction of a peoples own identity or identities, it is also the way in which onlookers construct their view of who people are, an issue of increasing importance due to the expansive forums in which music can now be shared over platforms like YouTube and other social media sites. Please note: Selecting permissions does not provide access to the full text of the article, please see our help page For example, an ethnographer studying the religious practices of a culture would both attend religious services and also participate in them, in order to truly understand these practices from an insiders point of view. Whilst there is a tendency for these concerns and the idea of social justice itself to be linked to leftist politics, it is mistaken to view them simply as part of a neo-Marxist project, as Marxism has itself sometimes been applied in ways that have been authoritarian, racist, homophobic and antifeminist (Hartmann Citation1979). In this sense scenes give us meaning and they give us identities, a sense of who we are in relation to others. Yet for musical genres that have been passed down over generations in culturally specific contexts and are important to many social functionsmany of which are at risk as they are not being passed on to younger generationsthese restrictions may have far-reaching consequences for the transmission of musical forms to future generations. score: 98 , and 1 person voted. It is also an investigation of the structures underpinning music scenes more generally. It was presented as a statement of working class solidarity beyond borders. These essentialist and traditionalising tendencies are an interesting contrast to the historical development of the dance form which reflects processes of creolisation. The Libraries' Catalog is a "traditional" library catalog of local holdings. Ethnography is, traditionally, the remit of anthropologists. flag. To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. Thornton examines the insiders of a much maligned scene: the dance scene. Since ethnomusicologists work often includes documentation of musical practice, engagement in practical apprenticeship and performance and deeply understanding histories and continuities of form, they are well placed to not only stand back and analyse but also give back to the communities they study by linking the threads between obsolete and novel forms that have been disconnected by the ruptures of broader social currents and false dichotomies (see, for example, Gillespie Citation2010) and by simply highlighting the value of these musical traditions in terms of their richness to musical scholarship. Contemporary research into traditional performance practices that centres on engagements with archival recordings can assist with community revitalisation efforts in contexts where musical practices are changing rapidly (Barwick, Green, and Vaarzon-Morel Citation2020). This guide provides information on using library and web resources to find books, journal articles, scores, recordings, and digital projects. There are essays on the tween scene, on Londons salsa scene, on riot grrrl, on karaoke, etc. On the basis of a lot of interviews about how people listen to music DeNora finds that music is a technology of the self, a set of tools and techniques, which we utilise, for example, to work out harder at the gym, clean up floors to, or set the tone for a date. The puzzle is this: as cultural diversity faces a crisis of disruption and rupture of ways of knowingmost acutely reflected in the rapid disappearance of the worlds languagesthe most commonly expected response of researchers is to urgently document these often essentialised ways of knowing and doing before they disappear or transform into something unrecognisable. Lack of the integration of the study of music and movement (Citation2019, 27), which results in dance not receiving the attention it deserves as a vital component of musical traditions. 4.19 avg rating 3,204 ratings. 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. Tell us about Music Scenes: Local, Translocal, and Virtual. When using the catalog, we recommend starting your search from the "Advanced Search" tab. Current research on music across the world must be able to theoretically grapple with the myriad of ways in which locally focused communities are now able to utilise the rapid and expansive technological developments of recent decades to engage on a world scale, through online posting and sharing and travelling to perform music. 1 This special issue comprises two sections. Ethnography is about being where the action is, and taking part in it. Over time you become an insider by acting like an insider, by displaying conspicuously elements of that scene. The Concise Oxford Dictionary of Music by Michael Kennedy (Editor); Joyce Bourne (Editor) Derived from the classicOxford Dictionary of Music, this is the most authoritative dictionary of music available in paperback. We would like to acknowledge Kirsty Gillespie's role in convening the panel and her role in proposing this publication (with Georgia Curran); the other participants in that panel including the authors in this issue; as well as Jennifer Biddle, Myfany Turpin and Jason Gibson. DeNoras focus in especially on how music is used to mould our emotional states, or to play into them. Community perspectives may, in many instances, box understandings of tradition, respectfully holding high the achievements and styles of respected elders yet at the same time resulting in essentialising paradigms. Look forethnographies in the Library Catalog: Search ethnograph$ -- limit to Music and Dance Library for subject specificity, Use ADVANCED SEARCH to also limit to Books MARC format. Is it a good thing that iPods allow us to escape our immediate reality into the world of music any time we choose? This knowledge, which includes descriptions of dances, audio recordings of songs and body paint designs for ceremony, is being returned to the community in a collaborative project, which is also discussed. Clear rating. Clint Bracknell details the constant state of internal and external negotiation (Citation2015, 212) present for Indigenous researchers who have commitments to their communities and to academia. Faudree, P. 2012. Up-to-date and clearly written, it is a rich mine of information for lovers of music of all periods and styles.Written by Michael Kennedy, a renowned authority on classical music . So what Im trying to say is that whether I love it or hate the soundscape that Im in is always fascinating to me. Dan Lundberg (Citation2019, 224) describes this dynamic process as the archive loop: When the collections of archives are presented in publications and then re-used by new users, they are affected by the changes that result from cultural heritageing. Music scenes are also ways that people have of building bonds with like-minded others. This is not a form of incoherence, however. Alan Merriam points out the obvious difficulty of these types of definitions in saying that they tend to treat ethnomusicology not as a process of study, but rather as a discipline which has importance only because of the implied uniqueness of the area it studies (Citation1964, 4). A related issue is overcoming the colonialist and Eurocentric roots of early research that was concerned with understanding diverse musical traditions and was frequently tied to concerns around categorisation and links to cultural, and frequently racial, typologies. We briefly refer to this Forum due to its relevance to the theme of this special issue and Feld's invaluable, broader contributions to ethnomusicology. The final paper by researcher Georgia Curran and Warlpiri elder and performer Otto Jungarrayi Sims provides a suitable follow-up, connecting to both the focus on Warlpiri culture and the continuity of its vulnerable traditions in modern contexts. DOI: 10.1146/annurev-anthro-092611-145851. Material Culture and Technology in Everyday Life, Edouard Mathieu on Using Data to Understand the World, Robert Lieberman on The Best Jimmy Carter Books. The Value of Ethnographic Research on Mu . : The Value of Ethnographic Research on Music, Ethnographic Research on Music for the Global Context, Musical Traditions Within Global Contexts, Engaging with Music Sustainability (and) Activism, https://www.ethnomusicology.org/page/AboutEthnomusicol, http://hdl.handle.net/2196/00-0000-0000-000F-CB5E-2, https://scholarspace.manoa.hawaii.edu/bitstream/10125/24905/1/ldc-sp19-cardoso.radhakrishnan.costa.pereira.pdf, https://ethnomusicologyreview.ucla.edu/content/decolonizable-spaces-ethnomusicology#_ftn1, https://lemondeestenflammes.bandcamp.com/, Medicine, Dentistry, Nursing & Allied Health. We would further like to thank Amanda Harris, Catherine Ingram, Chris Coady, Genevieve Campbell, James Humberstone, Diana Glazebrook and Simone Dennis for helpful feedback on this article. The second section in this issue forms a separate collection comprising a Forum on Stephen Feld's Voices of the Rainforest. Then new documentation can thus be made where archive influences on the material are an integral part of the tradition. What that means is that we now have an incredible amount of choice of music made and consumed for a specific purpose. For more information, please visit our Permissions help page. Accessed 23 April, 2020. https://www.ethnomusicology.org/page/AboutEthnomusicol). More recently, ethnography has been appropriated by both management academics and health . At the same time people in communities experiencing the anxiety of watching their cultures undergo significant disruption and rupture, especially the older generation may be preoccupied with trying to stem the flow of the disruption and rupture, looking to existing and past structures of cultural practice as the ideal to be maintained or reclaimed, potentially disrupting other dynamic and productive processes of change which involve creativity and communicative and aesthetic competence. While Agawus thesis supports the utility of formalism (see, also, Byl and Sykes Citation2020, 206210 for similarly nuanced arguments regarding comparativism), the importance of decolonising approaches, including the more contextually and ethnographically grounded, should not be underestimated. As Turino states, musical participation and experience are valuable for the processes of personal and social integration that makes us whole (Citation2008, 1). This syncretic quadrille tells us much about Portuguese Burgher identity being a central part of wedding celebrations, an important rite of passage for young Portuguese Burghers and also subject to restrictions that help normalise and valorise marriage within the community and help maintain patrilineality as determining Burgher identity. . Bridging the chasm between sociology and anthropology, it is the leading network for dialogical exchanges between monadic ethnographers and those from all disciplines involved and interested in ethnography and society. The Socio-Political Relevance of Ethnomusicology in the 21st Century, Approaching an Epistemic Community of Applied Ethnomusicology in Australia: Intercultural Research on Australian Aboriginal Song. Subculturalists are a lot more playful than originally thought, and lot more diverse within their own scene than previously argued. Imagine going to a concert. In the early months of the COVID-19 lockdowns we noted various musical responses to the shifting global situation: In early March 2020, as the devastation of COVID-19 spread across several countries, a complete lockdown was declared in Italy, which had by this time overtaken China as the country with the most cases and deaths. Sweet Mother: Modern African Music [Chi-cago: University of Chicago Press, 1991] and Chris Stapleton and Chris May's Af-rican All-Stars: The Pop Music of a Continent [London: Paladin, 1989]), Stewart's moti-vation for the writing of this book arose out of his experiences of music in Africa, and thus his passion for the music and the peo- The Cultural Experience: Ethnography in Complex Society. Phillip Vannini is an ethnographer and author. Maps, Mining, and the Cultural Future in Central Australia, Neoliberalism, the Far Right, and the Disparaging of Social Justice Warriors, How Does Ethnomusicology Matter? For good books to understand Jimmy Carter and his presidency, it's important to understand the context in which he was elected and served as president, argues political scientist Robert Lieberman. For this study we define a musical ethnography as a book that (1) asks and answers questions about the meaning and function of music in culture and society, and (2) is based on fieldwork as an indispensable research method. Current issues are available through the Scholarly Publishing Collective. Field notes are detailed and descriptive enough so that another person could read them and feel like they were there with the ethnographer. Such activism is frequently appreciated by the participants with whom we collaborate since people who are engaged with music and dance traditions typically want to make sure those traditions continue to be performed. The contribution to reducing intolerance [] teaching respect for difference and the recognition of the advantages of diversity (Citation2019, 28). Sound Moves: iPod Culture and Urban Experience looks at the effect of personal music devices on the people who use them. While Scout may be useful as you begin gathering resources, please note that you will probably need to searchthe appropriate subject databasesto adequately cover your topic. score: 1,592 , and 16 people voted. Issues abound: disruptions to musical resonance, the reduction of the bodies to flattened screens or distant and untouchable figures, the burdening effort required to pick up on social cues and the subtle but musically vital delays that dominate the technology-centric ways in which people are currently musically engaged. In what way? Once you have enough you can make certain claims: you claim to be a millionaire, to be successful, to be a VIP, and maybe even demand that you be allowed into that exclusive country club. Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine. Here the study of music takes a very strong embodied turn. This special issue has its foundations in a conference panel, held at the 2019 Australian Anthropology Society Conference, convened by Georgia Curran and Kirsty Gillespie. Simon Frith (1982) once bemoaned the fact that students would rather sit in the library and study popular music (mainly punk) in terms of the appropriate cultural theory, than conduct ethnographic research which would treat popular music as social practice and process. Discussions of an activist and engaged ethnomusicology, we argue, must grapple with and appropriately respond to important social justice concerns and movements around the world. Over the last few decades it has become commonplace for researchers to take on a combination of positions, observing and documenting cultural processes taking place whilst collaborating with communities in their responses to them, and at the same time observing and documenting these responses. ), :a branch ofcultural anthropologydealing chiefly with the comparative and analytical study of cultures. This is the reality of capitalism (LMF Citation2020). The study of music in the context of customs and culture. Nancy Scheper-Hughes. His audiovisual release of Voices of the Rainforest and discussions of it (see Feld and other authors, this issue) offer a cogent reminder of the generative (and regenerative) nature of ethnography across time (cf. Seeger suggests it is an important time to rethink and refine our communications and activities to have a bigger impact. Documentation of music is hence a kind of representation; photos, videos and audio recordings capture distilled reified representations of the full human experience of musical performance within its cultural context, at best indexing the experiences and providing a tangible and accessible way for intangible heritage to be understood by outsiders and future generations descendant from contemporary musicians, but which may be at odds to the oral forms through which knowledge is transferred through songs (Curran, Martin, and Carew Citation2019). While the circumstances are certainly challenging, it seems a ripe time to reflect on our place as scholars and allies in meaningfully understanding and engaging with these problems and contributing to solutions. Usually written in the first-person voice, autoethnographic work appears in a variety of creative formats; for example, short stories, music compositions, poetry, photographic essays, and. Kofi Agawu (Citation2014), for example, engages critically with formalistic and analytical approaches to African music, arguing that such approaches can produce important insights that highlight complexities such as perpetual variation (Citation2014, 190), stating that, [t]here is obviously no way not to analyse African music. In November 2014, he published Off the Grid: Re-Assembling Domestic Life, the culmination of two years of research into the lives of people across Canada who live off the grid. 6. Their article focuses on a mens public ceremonial dance called purlapa, specifically on a performance by Sims at the Aboriginal Tent Embassy, which took place during a visit to Canberra. Finally, all situations call for a degree of activism and engaged ethnomusicology on the part of the researchers, whether it is in the very act of documentation and return of vulnerable traditions (Morais), in inviting reflection on teaching (Ng), cultural continuity (Radhakrishnan) and change (Dowsett), or the intersection between the performance of tradition and other aspects of social justice activism on issues affecting the community (Curran and Sims). Ethnographers frequently need to disentangle issues around the continuity, change, rupture, preservation and revitalisation of traditional forms, both in and out of the field. 3.90 avg rating 10 ratings. In this special issue we aim to address the ways in which scholars together with custodians of musical traditions must grapple with these issues, valuing important community perspectives, understanding why they exist, and engaging with them in sensitive and intellectually rigorous ways which also take into account the deep desires of cultural custodians to represent their music to the world in a way that honours their cultural distinctiveness. Framed as hope for a better future, the work fostered ChineseAustralian musical connections at this time of restrictions on travel and public performance. Complete listing of Ethnomusicology Editors and Editorial Board. Its importance comes from the finding that members of subcultures or subculturalists are a lot less coherent than they were originally thought to be. How do I view content? Morais reflects on her experience and positionality as an outsiderresearcher, changing community attitudes to sharing knowledge openly as well as the agency of the women involved at the time of her fieldwork and now in the midst of this new project; and how all of these have combined to give value to the tradition. Use either'ethnography' OR 'ethnology'in combination with thename of the peopleyou're researchingorthe geographic regionin which they live. 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. by. Dr. Liz Przybylski is an interdisciplinary popular music scholar who specializes in hip hop in the United States and Canada. Such research must also be able to critically engage with forms that may be considered culturally near with equal ethnographic rigour. Thus, the beauty of this book comes from its own internal diversity. Music 203 & 307: World Music / Ethnomusicology: Ethnography Other Citation Formats What is ethnography? Well, you couldnt get a sense of all that by way of historical or semiotic analysis. We use cookies to improve your website experience. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. The latter is called ethnography. On to your first book: what does Tia DeNora argue in Music in Everyday Life? Ethnographic methods generally pertain to the principal qualitative research methods of participant observation, fieldnote writing, ethnographic interviewing, and the ethnographer's participation in music and dance as formal and informal processes for the study of musical actions and behaviors. We do not always do so in an overly rational way, of course, but for the most part we act towards music in light of what it does for us. Search ethnology this is an authorized SUBJECT. Raising One Higher Than the Other: The Hierarchy of Tradition in Representations of Gaelic-and English-Language Song in Ireland, Engaged Anthropology in the United States and its Relevance for World Anthropologies, Ethnomusicology: Definitions, Directions, and Problems, Is There a Role for Anthropology in Cultural Reproduction? Look atsources that provide background information on work of anthropologists or sources that provide overviews of cultural groups(encyclopedias, handbooks, bibliographies). The matter of representation in ethnography is well discussed. For ethnomusicologists, anthropologists and scholars in general, it is crucial that research bears witness to these important crises and provides critical perspectives and constructive discussions in the struggles of feminism, anti-racism, rights for Indigenous peoples, migrants, children, ethnic minorities, refugees, people with disabilities, and LGBTQ+ peoples, the ecological crisis and other inequalities that have resulted from the current trends towards increased neoliberalism and the normalisation of authoritarianism. Amazon.com: Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods): 9781544320328: Przybylski, . Taste cultures emerge around coalitions of peoples determined shared definitions of these things. Denzin and Lincoln (1994) have described the crisis of representation that occurred in the 1980s, when previously settled issues about the assumptions behind the presentation of ethnographic accounts and the criteria used to assess their validity were challenged. Register to receive personalised research and resources by email. This ground-breaking case study examines record production as ethnographic work. Our shared social experiences are surrounded by music: shaping youth subcultures, forming the banal backdrop to shopping centres and other aspects of bourgeois life, marking the rhythms or simply passing time spent at work, heralding the passing of milestones and the undergoing of rites of passage, carrying the last vestiges of cultural memory, conveying the supposed essences of patriotic sentiment in national anthems or aspiring to highlight and foster the interconnectedness of all humanity. A scene is a lot of things: its a group of people, its a shared taste, its a system of rituals, of common values and practices, and its also a place. Scholars of sensory studies examine the social and cultural aspects of the human senses and sensations. (Of course, such books may also include other methods such as extensive musical analysis This genre presents an interesting case study for the power of diasporic identities to strongly evoke a sense of homeland and the power of music as a vehicle of authentication. The importance of Indigenous agency and power to control what is published and identify key concerns is outlined by Megan Morais (this issue) in her consideration of how to appropriately repatriate archival materials to contemporary community members in a Central Australian Indigenous community. In late April, Nicholas Ng (see article, this issue), of the AustraliaChina Institute for Arts and Culture at the University of Western Sydney curated Musical Connections Amid the Global Pandemic, featuring 12 artists with China-Australia connections in varied musical arrangements set to artful visuals, quotes and poetry. Hence, it is not surprising that many scholars have advocated studying popular music in academic institutions (Adams, 2019;Bates, 2013;Coffie, 2019; Cohen, 1993; Collins, 2011;Ekong & Udoh,. DeNora makes an incredibly simple, but incredibly compelling argument: within the domain of everyday life we utilise music as a technology. 3 According to the Society for Ethnomusicology, the discipline's focus is on the study of 'music in its social and cultural contexts'. This is not to suggest that solutions for these problems are simple or not up for debate. Music, as one of the more formalised facets of cultural life, and being closely linked to identity, is arguably one of these core practices that is most subject to this anxiety and urgency in a rapidly changing world. Register a free Taylor & Francis Online account today to boost your research and gain these benefits: The Value of Ethnographic Research on Music: An Introduction, Say Youre a Nyungarmusicologist: Indigenous Research and Endangered Song, Ethnomusicology and the Indian Ocean: On the Politics of Area Studies, Representing Indigenous Cultural Property in the Production of Warlpiri Womens Song Books, For My Own Research Purposes?: Examining Ethnomusicology Field Methods for a Sustainable Music, Aesthetics as Iconicity of Style, or Lift-up-Over Sounding: Getting Into the Kaluli Groove, On Post-Ethnomusicology Alernatives: Acoustemology, Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage, The Unhappy Marriage of Marxism and Feminism: Towards a More Progressive Union, Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage. With the exception of the occasional seaplane humming over my head or the ferry horn when the boat leaves, all the noises I hear on a daily basis are natural: birds, the winds, and things like that. In the recently published book Ethnomusicology Matters, Anthony Seeger (Citation2019) has acknowledged the significant achievements of ethnomusicological research over its 70 year history as a discipline, noting in particular its role in the promotion of cultural diversity and significant developments leading to collaborative and applied research (see Citation2019, 2325 for the full list of achievements). Books, journal articles, scores, recordings, and Virtual tween scene on. Of this book comes from the `` Advanced search '' tab is fascinating! Ai driven recommendation engine that iPods allow us to escape our immediate reality into world... We utilise music as a technology in especially on how music is used to mould our emotional states, to! 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The advantages of diversity ( Citation2019, 28 ) a bigger impact is edited! Use of cookies and how you can gain access to the historical of... In ethnography is, and in Between ( Qualitative research Methods ): 9781544320328:,! And is powered by our AI driven recommendation engine a separate collection comprising a Forum on Stephen Feld Voices. Cookie Policy important role in defining and mapping these continuities and changes field notes are detailed and descriptive so... A very strong embodied turn the historical development of the structures underpinning music scenes are ways... The ethnographer Im in is always fascinating to me our emotional states, or to play into them sense give...